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Vicki must manipulate John and Evelyn by studying their characters/relationship dynamics then turn the couple against each other in order to survive.īen Young mines remarkable performances, governs complex, multifaceted suspense by avoiding stereotypes and clichéd set-pieces which cripple most modern movies of a similar ilk. It’s near Christmas in sun-soaked suburban Perth, 1987, when troubled teenager Vicki Maloney (Ashleigh Cummings) is kidnapped by local maniacal grunts John and Evelyn (Stephen Curry and Emma Booth), bound in their home then subjected to psychological torment, sexual humiliation and physical abuse. Young shuns gratuitous violence and gruelling exploitation to set HoL apart from lesser contemporary sub-genre efforts as well and grimier Giallo and Grindhouse flicks like Almost Human, House on the Edge of The Park and I Spit On Your Grave. Hounds of Love gradually unravels its characters before developing them via scenes of suspense, conflict and surprising poignancy.
#HOUNDS OF LOVE SCENE TV#
Australian debut writer/director Ben Young makes an astonishing transition from lightweight TV with Castaway and Prank Patrol (Candid Camera for the i-generation) to this edgy, visually scintillating kidnap/rape/escape thriller.